For Writers: Part Three
August 4th, 2006Do you write by creating characters first and letting them speak to you? Or do you think of any and craft each character as you hit various crossroads in the story?
I got asked this question recently and thought to take a moment to answer it here.
I don’t think that there is a really definitive answer to this question, actually.
I had to stop and think about how I start a story. Character or story?
Hmmm…How do I define inspiration in words that anyone who wants to write can understand?
What causes that spark in my imagination when all the pieces just seemingly fit as though the story was already assembled?
At any time during the course of a day I have about 75 different chunks of stories, various characters, emotions and ideas rolling around in my head - my mind continuously mixing and matching to see who goes where while I go about my daily business.
Much like assembling a puzzle you, as the writer, have to find the edge pieces of the story. You start with laying out the four corners of the story: Character, Event, Setting, Idea. Any one of these basic elements can spark the entirety of a story you want to tell.
In the story that I am working on right now (Table for One) the entire story was inspired by an event that I was going through in my own life. I was going through a breakup over which I was fairly ambivalent and yet not so much. It was odd to me. On one hand I was totally okay about the breakup, then on the other hand I was completely devastated. The conflicting emotions inside me intrigued me and started to sift through each individual feeling, examining what it meant for me. In the end I was amused by my own inner conflict.
In a fit of rage at my in-the-process-of ex-boyfriend I sat down in front of my computer and just let it all go, describing in detail what I wanted to do to him. The resulting event was pretty funny and shortly became the inspiration for a character who was, herself, very ambivalent about life in general.
Two corners had been laid out. I created a setting for her. Then finally the ideas started to roll out from there, driving this character through a series of events that would ultimately change her attitude and her life. Her arc was defined by a catalytic event that brings everything into perspective.
As the narrator of the story, Trinity, my character experiences these various emotions from the first person perspective (I said, I did, I walked, etc). The story started with an event, but ultimately became a character driven story, peppered with various emotional events in a setting that anyone could recognize and ideas that readers can relate to.
The four corners were in place and with each new idea a section of whole puzzle was put together, giving me the basic path for where I was going and what I was doing.
Life inspires me. I am constantly observing the people and things around me. I read the news cutting and pasting little snippets of articles that stir up an idea in my mind. Sometimes I record bits of my dreams (when I remember them). I examine every emotion I experience to see if somewhere inside it is a connecting thread to one of my story ideas.
I can’t say that I start with a character. I don’t. Nor do I start with just an idea. Or a setting. Or an event. It is the combination of all of these things coming together almost simultaneously that will drive me to my computer to get that story out of my head before I explode with it.
When writing I apply the same philosophy that Michelangelo applied to sculpting:
“I saw the angel in the marble and carved until I set him free.”
The stories are within me everyday waiting to be uncovered, the pieces put together by some small incident that reveals the whole picture.
As you start to lay out the border you will find a piece by accident that will help fill in the center and as you start to look for similar shapes and colors of your puzzle the story will roll right on out.
I hope this helps!
Love,
JG